{"id":2828,"date":"2022-05-04T09:21:58","date_gmt":"2022-05-04T09:21:58","guid":{"rendered":"https:\/\/www.giuseppezanoni.com\/?page_id=2828"},"modified":"2025-12-14T15:11:48","modified_gmt":"2025-12-14T15:11:48","slug":"minoan","status":"publish","type":"page","link":"https:\/\/www.giuseppezanoni.com\/en\/multimedia\/minoan\/","title":{"rendered":"Minoan"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t\t\t\t<p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t\t<sr7-module data-alias=\"the-borderline-1\" data-id=\"13\" id=\"SR7_13_1\" data-version=\"6.7.55\">\n\t\t\t\t\t<sr7-adjuster><\/sr7-adjuster>\n\t\t\t\t\t<sr7-content>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_13_1-15\" data-key=\"15\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_13_1-15-slidebg\" class=\"sr7-layer\"><noscript><img src=\"https:\/\/www.giuseppezanoni.com\/wp-content\/uploads\/2022\/05\/minoica-1.jpg\" alt=\"\" title=\"minoica (1)\"><\/noscript><\/sr7-bg>\n\t\t\t\t\t\t\t<sr7-txt id=\"SR7_13_1-15-0\" class=\"sr7-layer\">Minoica<\/sr7-txt>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_13_1-43\" data-key=\"43\">\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t<\/sr7-content>\n\t\t\t\t<\/sr7-module>\n\t\t\t\t<script>\n\t\t\t\t\twindow.SR7 ??={};SR7.PMH ??={}; SR7.PMH[\"SR7_13_1\"] = {cn:100,state:false,fn: function() { if (window._tpt!==undefined && window._tpt.prepareModuleHeight !== undefined) {  _tpt.prepareModuleHeight({id:\"SR7_13_1\",el:[1500,1500,1500,1500],type:'standard',shdw:'0',gh:[1500,1500,1500,1500],gw:[1408,1408,1408,1408],vpt:['-200px'],size:{fullWidth:true, fullHeight:false},mh:'0',onh:0,onw:0,bg:{color:'transparent'}});   SR7.PMH[\"SR7_13_1\"].state=true;} else if(SR7.PMH[\"SR7_13_1\"].cn-->0)\tsetTimeout( SR7.PMH[\"SR7_13_1\"].fn,19);}};SR7.PMH[\"SR7_13_1\" ].fn();\n\t\t\t\t<\/script>\n<\/div><\/div><\/div><\/div><div class=\"vc_section vc_custom_1651851653993 wpex-vc-full-width-section wpex-relative wpex-vc_section-has-fill wpex-vc-reset-negative-margin\"><div class=\"vc_row wpb_row vc_row-fluid banner wpex-vc-full-width-row wpex-vc-full-width-row--no-padding wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_raw_code wpb_raw_html wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<svg class=\"waves_artworks\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1440 320\"><path fill=\"#fff\" fill-opacity=\"1\" d=\"M0,192L80,208C160,224,320,256,480,256C640,256,800,224,960,213.3C1120,203,1280,213,1360,218.7L1440,224L1440,320L1360,320C1280,320,1120,320,960,320C800,320,640,320,480,320C320,320,160,320,80,320L0,320Z\"><\/path><\/svg>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid zindex wpex-vc-full-width-row wpex-vc-full-width-row--no-padding wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner vc_custom_1651240715478\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2 data-start=\"345\" data-end=\"405\">Minoica \u2014 amore, dipendenza e desiderio di trasformazione<\/h2>\n<p data-start=\"407\" data-end=\"885\"><strong data-start=\"407\" data-end=\"418\">Minoica<\/strong> \u00e8 un lavoro che affonda le proprie radici nell\u2019arcaico per parlare di una condizione profondamente contemporanea: l\u2019amore come forma di dipendenza, come forza che trattiene e, allo stesso tempo, come possibilit\u00e0 di trasformazione. Il riferimento alla civilt\u00e0 minoica non \u00e8 solo estetico o storico, ma simbolico: un mondo in cui mito, corpo, rito e natura convivevano in un equilibrio fragile e potente, proprio come accade nei legami pi\u00f9 intensi dell\u2019essere vivente.<\/p>\n<h3 data-start=\"887\" data-end=\"928\">Il mito come struttura dell\u2019inconscio<\/h3>\n<p data-start=\"930\" data-end=\"1527\">Nel progetto si innesta una riflessione che rimanda direttamente alla lettura junghiana del mito. Come scrive Jung nel 1912, il desiderio di congiungersi alla madre \u2014 evocato nel mito di Giocasta \u2014 non va inteso come pulsione letterale, ma come tensione archetipica verso l\u2019origine, verso ci\u00f2 che ci ha generato.<br data-start=\"1242\" data-end=\"1245\" \/>Il figlio che uccide il padre e si unisce alla madre compie un atto estremo di rottura e ritorno: distrugge l\u2019ordine precedente per tentare una rinascita. \u00c8 un desiderio di trasformazione, di rigenerazione, che attraversa l\u2019inconscio umano e che in <em data-start=\"1494\" data-end=\"1503\">Minoica<\/em> diventa materia visiva.<\/p>\n<h3 data-start=\"1529\" data-end=\"1581\">Amore da dipendenza: il nodo centrale dell\u2019opera<\/h3>\n<p data-start=\"1583\" data-end=\"1957\"><em data-start=\"1583\" data-end=\"1592\">Minoica<\/em> \u00e8, prima di tutto, una rappresentazione dell\u2019<strong data-start=\"1638\" data-end=\"1661\">amore da dipendenza<\/strong>. Un amore che seduce e imprigiona, che promette protezione e identit\u00e0, ma che pu\u00f2 trasformarsi in una gabbia invisibile. In questo senso, l\u2019opera non racconta una storia individuale, ma una condizione universale: quella di chi rimane intrappolato in un legame che trattiene pi\u00f9 di quanto liberi.<\/p>\n<p data-start=\"1959\" data-end=\"2397\">La piuma, elemento ricorrente e altamente simbolico, incarna perfettamente questa tensione. \u00c8 per sua natura leggera, nata per il volo, per l\u2019aria, per il movimento. Eppure, fusa nella cera, perde la possibilit\u00e0 di librarsi: rimane sospesa, immobilizzata, come un essere vivente imprigionato in una relazione totalizzante. Non \u00e8 la violenza esplicita a trattenerla, ma una forma di adesione silenziosa, viscosa, apparentemente protettiva.<\/p>\n<h3 data-start=\"2399\" data-end=\"2434\">Trasformazione, ferita, memoria<\/h3>\n<p data-start=\"2436\" data-end=\"2841\">La liberazione \u00e8 possibile, ma ha un prezzo. Solo un calore intenso pu\u00f2 sciogliere la cera e permettere alla piuma di separarsene. Questo gesto non \u00e8 indolore: il tessuto rimane segnato per sempre dal contatto. \u00c8 una metafora potente della trasformazione umana.<br data-start=\"2697\" data-end=\"2700\" \/>Ogni uscita da una dipendenza, ogni rinascita, porta con s\u00e9 una traccia indelebile. Non si torna mai allo stato originario. Si diventa altro.<\/p>\n<p data-start=\"2843\" data-end=\"3149\">In <em data-start=\"2846\" data-end=\"2855\">Minoica<\/em>, la materia registra questa trasformazione: superfici che mostrano stratificazioni, zone di luce e opacit\u00e0, elementi che dialogano tra loro senza mai fondersi completamente. Il lavoro non propone una redenzione pura, ma una consapevolezza: la trasformazione passa sempre attraverso una ferita.<\/p>\n<h3 data-start=\"3151\" data-end=\"3195\">Un rituale visivo tra passato e presente<\/h3>\n<p data-start=\"3197\" data-end=\"3544\">Il riferimento alla civilt\u00e0 minoica amplifica questa lettura. Quel mondo antico celebrava la ciclicit\u00e0 della vita, la morte e la rinascita, il legame profondo tra individuo e natura. <em data-start=\"3380\" data-end=\"3389\">Minoica<\/em> recupera quella dimensione rituale e la trasporta nel presente, trasformando l\u2019opera in un luogo simbolico in cui mito, inconscio e materia si incontrano.<\/p>\n<p data-start=\"3546\" data-end=\"3825\">La foglia d\u2019oro introduce una dimensione sacrale, quasi iconica, che non celebra la perfezione, ma il valore dell\u2019esperienza. La luce non cancella il dolore, lo rende visibile. Cos\u00ec come l\u2019amore, anche la materia \u00e8 ambigua: pu\u00f2 proteggere o imprigionare, pu\u00f2 nutrire o consumare.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><div class=\"vc_row wpb_row vc_inner vc_row-fluid wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vcex-image-grid-wrap\"><div class=\"vcex-module vcex-image-grid grid-style-masonry wpex-row wpex-clr vcex-isotope-grid no-transition wpex-overflow-hidden wpex-lightbox-group\" data-transition-duration=\"0.0\"><div class=\"id-2834 vcex-image-grid-entry vcex-grid-item vcex-isotope-entry wpex-text-center span_1_of_2 col col-1\"><figure 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less_zindex wpex-vc-full-width-row wpex-vc-full-width-row--no-padding wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_raw_code wpb_raw_html wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<!--<svg class=\"waves2\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1440 260\"><path fill=\"#fff\" fill-opacity=\"1\" d=\"M0,192L80,208C160,224,320,256,480,256C640,256,800,224,960,213.3C1120,203,1280,213,1360,218.7L1440,224L1440,320L1360,320C1280,320,1120,320,960,320C800,320,640,320,480,320C320,320,160,320,80,320L0,320Z\"><\/path><\/svg> -->\n\n<svg class=\"waves_home2\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1440 320\"><path  fill=\"#ededed\" fill-opacity=\"1\" d=\"M0,192L80,208C160,224,320,256,480,256C640,256,800,224,960,213.3C1120,203,1280,213,1360,218.7L1440,224L1440,320L1360,320C1280,320,1120,320,960,320C800,320,640,320,480,320C320,320,160,320,80,320L0,320Z\"><\/path><\/svg>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><div data-vc-full-width=\"true\" data-vc-full-width-init=\"false\" data-vc-stretch-content=\"true\" class=\"vc_section vc_custom_1651851676292 wpex-relative wpex-vc_section-has-fill wpex-vc-row-stretched\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1651851716204 wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p align=\"JUSTIFY\">Tecnica mista: acrilico su legno, piume, cera, alluminio, rame, foglia d\u2019oro. | 2013 | Raffigurazione antropomorfa del complesso di Giocasta.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 52px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_row-full-width vc_clearfix\"><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":3158,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/full-screen.php","meta":{"_joinchat":[],"footnotes":""},"class_list":["post-2828","page","type-page","status-publish","hentry","entry","no-media"],"_links":{"self":[{"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/pages\/2828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/comments?post=2828"}],"version-history":[{"count":0,"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/pages\/2828\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/pages\/3158"}],"wp:attachment":[{"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/media?parent=2828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}