{"id":2820,"date":"2022-05-04T09:13:11","date_gmt":"2022-05-04T09:13:11","guid":{"rendered":"https:\/\/www.giuseppezanoni.com\/?page_id=2820"},"modified":"2025-12-07T15:14:43","modified_gmt":"2025-12-07T15:14:43","slug":"the-border_line","status":"publish","type":"page","link":"https:\/\/www.giuseppezanoni.com\/en\/multimedia\/the-border_line\/","title":{"rendered":"The Border_line"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t\t\t\t<p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t\t<sr7-module data-alias=\"timeline-11\" data-id=\"12\" id=\"SR7_12_1\" data-version=\"6.7.55\">\n\t\t\t\t\t<sr7-adjuster><\/sr7-adjuster>\n\t\t\t\t\t<sr7-content>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_12_1-14\" data-key=\"14\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_12_1-14-slidebg\" class=\"sr7-layer\"><noscript><img src=\"https:\/\/www.giuseppezanoni.com\/wp-content\/uploads\/2022\/05\/the-border-line-slide.jpg\" alt=\"\" title=\"Compressed by jpeg-recompress\"><\/noscript><\/sr7-bg>\n\t\t\t\t\t\t\t<sr7-txt id=\"SR7_12_1-14-0\" class=\"sr7-layer\">The border_line<\/sr7-txt>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_12_1-42\" data-key=\"42\">\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t<\/sr7-content>\n\t\t\t\t<\/sr7-module>\n\t\t\t\t<script>\n\t\t\t\t\twindow.SR7 ??={};SR7.PMH ??={}; SR7.PMH[\"SR7_12_1\"] = {cn:100,state:false,fn: function() { if (window._tpt!==undefined && window._tpt.prepareModuleHeight !== undefined) {  _tpt.prepareModuleHeight({id:\"SR7_12_1\",el:[1080,768,960,720],type:'standard',shdw:'0',gh:[1080,768,960,720],gw:[1920,1024,778,480],vpt:['-200px'],size:{fullWidth:true, fullHeight:false},mh:'0',onh:0,onw:0,bg:{color:'transparent'}});   SR7.PMH[\"SR7_12_1\"].state=true;} else if(SR7.PMH[\"SR7_12_1\"].cn-->0)\tsetTimeout( SR7.PMH[\"SR7_12_1\"].fn,19);}};SR7.PMH[\"SR7_12_1\" ].fn();\n\t\t\t\t<\/script>\n<\/div><\/div><\/div><\/div><div class=\"vc_section vc_custom_1651851459227 wpex-vc-full-width-section wpex-relative wpex-vc_section-has-fill wpex-vc-reset-negative-margin\"><div class=\"vc_row wpb_row vc_row-fluid banner wpex-vc-full-width-row wpex-vc-full-width-row--no-padding wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_raw_code wpb_raw_html wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<svg class=\"waves_artworks\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1440 320\"><path fill=\"#fff\" fill-opacity=\"1\" d=\"M0,192L80,208C160,224,320,256,480,256C640,256,800,224,960,213.3C1120,203,1280,213,1360,218.7L1440,224L1440,320L1360,320C1280,320,1120,320,960,320C800,320,640,320,480,320C320,320,160,320,80,320L0,320Z\"><\/path><\/svg>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid zindex wpex-vc-full-width-row wpex-vc-full-width-row--no-padding wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner vc_custom_1651240715478\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p data-start=\"326\" data-end=\"879\"><em data-start=\"326\" data-end=\"343\">The Border Line<\/em> \u00e8 un\u2019opera di arte contemporanea che affronta in modo simbolico e poetico un tema universale: la difficolt\u00e0, a volte inevitabile, che gli esseri viventi incontrano nel trovarsi davvero. L\u2019intera composizione si sviluppa su una superficie completamente dorata, materica e vibrante, che rappresenta l\u2019universo visibile. Questo spazio luminoso non \u00e8 soltanto un fondale estetico, ma l\u2019essenza stessa dell\u2019opera: \u00e8 il luogo dove si svolge la vita, la realt\u00e0 percepibile e tangibile, il teatro cosmico entro cui si muove ogni forma vivente.<\/p>\n<p data-start=\"881\" data-end=\"1450\">In questo universo dorato compaiono due piccole rane, collocate agli estremi opposti dello spazio pittorico. Sono loro il fulcro concettuale del lavoro. Le rane rappresentano due esseri viventi immersi nei propri percorsi individuali. Ognuna segue la propria direzione, muovendosi secondo ritmi e logiche interne, senza la certezza di incrociare il cammino dell\u2019altra. La loro posizione, cos\u00ec distante e divergente, rende esplicito ci\u00f2 che accade quotidianamente in natura e nelle dinamiche della vita: anche condividendo lo stesso ambiente, l\u2019incontro non \u00e8 garantito.<\/p>\n<p data-start=\"1452\" data-end=\"2028\">Lo spazio dorato amplifica la profondit\u00e0 di questo concetto. L\u2019oro \u2014 colore di luce, cielo, energia cosmica \u2014 diventa simbolo della materia dell\u2019universo, della radiazione che ci permette di vedere e percepire tutto ci\u00f2 che esiste. \u00c8 un universo ricco, vibrante, carico di potenziale, ma allo stesso tempo vasto e complesso. Un universo che accoglie tutte le forme viventi senza per\u00f2 assicurare che esse riescano a toccarsi, comprendersi o incrociarsi. Le due rane vivono nello stesso mondo, eppure restano separate da una distanza che non \u00e8 solo spaziale, ma anche simbolica.<\/p>\n<p data-start=\"2030\" data-end=\"2542\">Questa tensione tra vicinanza e lontananza \u00e8 la chiave emotiva dell\u2019opera. <em data-start=\"2105\" data-end=\"2122\">The Border Line<\/em> suggerisce che nella complessit\u00e0 della vita \u2014 nel regno animale, vegetale o umano \u2014 l\u2019incontro autentico richiede condizioni particolari e spesso rare. Ogni essere vivente segue il proprio percorso biologico, istintivo o evolutivo, un percorso che non sempre coincide o si sincronizza con quello di un altro. E proprio questo scarto, questa differenza di traiettorie, crea il confine invisibile che separa le esistenze.<\/p>\n<p data-start=\"2544\" data-end=\"3076\">Le rane diventano cos\u00ec una metafora perfetta. Sono creature capaci di saltare, esplorare, reagire all\u2019ambiente con immediatezza, ma qui appaiono quasi sospese: bloccate in una distanza che sembra impossibile da colmare all\u2019interno dell\u2019immensit\u00e0 dorata dell\u2019universo visibile. Il loro contrasto con la vastit\u00e0 dello spazio cosmico suggerisce una riflessione pi\u00f9 ampia sulla condizione di ogni forma di vita: siamo piccole presenze all\u2019interno di un universo enorme, luminoso e spesso indifferente ai nostri tentativi di connessione.<\/p>\n<p data-start=\"3078\" data-end=\"3443\">Il fondo dorato, con la sua texture densa e luminosa, diventa allora una metafora dell\u2019intero cosmo: un mare di luce che avvolge gli esseri viventi ma che non sempre permette loro di incontrarsi. \u00c8 l\u2019immagine della realt\u00e0 stessa, in cui la vita si distribuisce in infinite direzioni, creando un equilibrio delicato tra solitudine, relazione, distanza e possibilit\u00e0.<\/p>\n<p data-start=\"3445\" data-end=\"3883\"><em data-start=\"3445\" data-end=\"3462\">The Border Line<\/em> invita l\u2019osservatore a riflettere sulla natura delle connessioni: su quanto sia fragile l\u2019istante in cui due percorsi riescono a combaciare e su quanto sia prezioso il momento in cui due esseri viventi, anche se lontani, riescono finalmente a sfiorarsi. L\u2019opera diventa cos\u00ec un dialogo tra cosmologia e biologia, tra simbolismo e introspezione, un racconto visivo che unisce minimalismo formale e profondit\u00e0 concettuale.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><div class=\"vc_row wpb_row vc_inner vc_row-fluid wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 80px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><div class=\"vcex-image-grid-wrap\"><div class=\"vcex-module vcex-image-grid vcex-justified-gallery wpex-clr wpex-lightbox-group\" 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class=\"wpb_wrapper\">\n\t<div class=\"wpb_raw_code wpb_raw_html wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<!--<svg class=\"waves2\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1440 260\"><path fill=\"#fff\" fill-opacity=\"1\" d=\"M0,192L80,208C160,224,320,256,480,256C640,256,800,224,960,213.3C1120,203,1280,213,1360,218.7L1440,224L1440,320L1360,320C1280,320,1120,320,960,320C800,320,640,320,480,320C320,320,160,320,80,320L0,320Z\"><\/path><\/svg> -->\n\n<svg class=\"waves_home2\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1440 320\"><path  fill=\"#ededed\" fill-opacity=\"1\" d=\"M0,192L80,208C160,224,320,256,480,256C640,256,800,224,960,213.3C1120,203,1280,213,1360,218.7L1440,224L1440,320L1360,320C1280,320,1120,320,960,320C800,320,640,320,480,320C320,320,160,320,80,320L0,320Z\"><\/path><\/svg>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_section vc_custom_1651851512206 wpex-vc-full-width-section wpex-relative wpex-vc_section-has-fill wpex-vc-reset-negative-margin\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1651851497040 wpex-relative\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>The Border Line &#8211; 2011<\/strong><\/p>\n<p>Tecnica mista: gesso, cartone, tempera, colla, porporina in oro, rane in silicone.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 52px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":3158,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/full-screen.php","meta":{"_joinchat":[],"footnotes":""},"class_list":["post-2820","page","type-page","status-publish","hentry","entry","no-media"],"_links":{"self":[{"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/pages\/2820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/comments?post=2820"}],"version-history":[{"count":0,"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/pages\/2820\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/pages\/3158"}],"wp:attachment":[{"href":"https:\/\/www.giuseppezanoni.com\/en\/wp-json\/wp\/v2\/media?parent=2820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}